SOLID GROUND
CHALLENGING SPACE
a dance academy camp

Juli 30 – August 03, 2024
@Iwanson Contemporary Dance
München


SOLID GROUND is a program dedicated to dance and choreography students shortly before their final year that trains, educates and creates important contacts to the international professional dance scene. The program serves as an orientation in future international working environments. In an atmosphere full of exchange and encounters, you can not only network with other students, but also get to know choreographers from current artistic practice. SOLID GROUND takes place for the fifth time this summer during the first half of the TANZWERKSTATT EUROPA.
Participants will meet (inter)national experts from various working backgrounds in the field of contemporary dance and performance. They learn about artistic scenes, current developments, (inter)national production contexts, funding opportunities, but also the basics of production planning and guest performance organization. International artists with several years of professional experience work with the participants in choreographic labs.


Trainings
Charlie Morrissey, Mani Obeya, Virginie Roy
Choreographic Labs


Adrienn Hód, Ligia Lewis, Sheena McGrandles
Lectures


Leen Bleys, Kristof Blom, Ingrida Gerbutavičiūtė, Kristine Slettevold, Felix Wittek


Organized by: JOINT ADVENTURES – Walter Heun in cooperation with the Iwanson International School of Contemporary Dance, Munich

In cooperation and dialogue with the training institutions: CNDC – Centre National de dance Contemporaine, Angers; DDSKS – Den Danske Scenekunstskole, Copenhagen; ECD - Expanded Contemporary Dance - Academy of Theatre and Dance in Amsterdam; Folkwang Universität der Künste, Essen; Hochschule für Musik und Tanz Köln; HZT – Hochschulübergreifen des Zentrum Tanz, Berlin; Iwanson International School of Contemporary Dance, Munich; MUK – Musik und Kunst Privatuniversität der Stadt Wien; P.A.R.T.S. – School for Contemporary Dance, Brussels; SEAD – Salzburg Experimental Academy of Dance; Stockholm University of Arts; Trinity Laban Conservatoire of Music and Dance, London; UniZG – Arts, University of Zagreb
Supported by: Bavarian State Association for Contemporary Dance with funds from the Bavarian State Ministry for Science and the Arts

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